极彩登陆-Beazley年度规划大奖2019提名著作发布admin 2019-11-08 共159人围观 ，发现0个评论
Beazley Design of the Year Awards日前发布了 2019 年度规划提名名单。作为国际闻名的规划奖项之一，Beazley 由伦敦规划博物馆 Design Museum 建议，至今已举办了十届，设有六个奖项类别，分别是修建、数字、时髦、平面规划、产品及交通，经国际闻名规划师、展览策划人等人物一起评选出具有原创性的概念产品和规划师。
或许许多同学更多知道的是“国际三大规划奖”的红点、iF 和 IDEA，那么 Beazley 规划奖有怎样的不同呢，某种视点来看，Beazley 评选出的著作与其说着重规划感，不如说是用规划在处理社会中实在存在的问题，给各种创造性工业带来前瞻性的考虑。Design Museum 方面期望通过一种风趣的方法来反映当下规划范畴的要点，以及广泛存在的全球文明和社会问题。
A wayfinding system that uses pictograms
by Sascha Lobe,Pentagram
Elements of Architecture
An encyclopaedic study of architecture's parts
by Irma Boom, written by Rem Koolhaas
A publication on alternative Chinese urbanism
International TypographyBiennale: Typojanchi saisai 2018-2019
A biennial poster that moves
Led By Donkeys
A campaign highlighting political hypocrisy
by Led by Donkeys
A quarterly publication on the future of food
by LinYee Yuan
notamuse – A New Perspectiveon Women Graphic Designers in Europ极彩登陆-Beazley年度规划大奖2019提名著作发布e
A book celebrating new female designers
By Silva Baum, Claudia Scheer and Lea Sievertsen
A collective for queer and trans people of colour
by Mohammed Fayaz, Oscar Nuez and Adam Rhodes极彩登陆-Beazley年度规划大奖2019提名著作发布
Shoplifters 8: New TypeDesign
A compendium of new typeface de极彩登陆-Beazley年度规划大奖2019提名著作发布signs
By Actual Source (Davis Ngarupe and JP Haynie) with Gunnar F Harrison, Katrina Peterson and Walker Croxton
UK Student Climate Networkplacards
A student-led plea to end our environmental crisis
By Play Nice and ILOVEYOU Agency in collaboration withUKSCN youth strikers, Harry Butt, Indiana Lawrence, Will Knight, Lena Mangerand Axel Lagerborg
Who Are You Here To See?
A data-visualisation project
by Mona Chalabi
A feminist ad campaign
by Anja Kaiser
A football-club identity celebrating its region
Zak Group has designed the exhibition graphics for Beazley Designs of the Year, the Design Museum’s annual exhibition that presents the most inspiring and criticaldesign from the past year. We used the exhibition design as a platform topresent the work of six type designers whose typefaces were released in 2019.The title panels in each of the exhibition’s six rooms are set in a different typeface alongside a full character set and the names of its designer and foundry.
Working closely with architect Pernilla Ohrstedt and curator Beatrice Galilee, the design of the exhibition draws upon the work of the American architect turnedartist Gordon-Matta Clark whose ‘building cuts’ carved through derelictbuildings to create monumental site specific sculptures.
Reducingand reusing the waste associated with exhibition was integral to the exhibition graphics. In the first gallery, the numerals 2019 are carved out of the plaster board wall, revealing the internal studwork. Elsewhere title panels havebeen cut out of the wall and used to announce the title of each room.
Through the exhibition objects are accompanied by multi-functional powder coated captionpanels that can be bent according to their placement. We also designed theawards to be presented to the best projects in each极彩登陆-Beazley年度规划大奖2019提名著作发布 category.